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Public humanities lab takes on reparative memory to uncover the legacy of slavery in Missouri

A woman listens to another woman as they sit in front of a computer. The computer is on a table with a red table cloth and candles on it.
Kassidy Arena
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KBIA
Memory for the Future lab participant Jade Pita demonstrates her digital hub "Siempre Hemos Estado Aquí" to a showcase attendee on Wednesday, April 26, 2023. "[There are] exploitive labor practices that exploit people, exploit land to make the most amount of profit possible, which is a practice that is rooted in enslavement. And I think it's time that St. Louis talks about that history," Pita said.

People quietly chatter as a video of a jazz club plays out loud. Photography covers most of the walls. It’s all part of a showcase by the Public Humanities lab Memory for the Future based out of Washington University. The yearlong workshop studies histories and legacies of colonialism, slavery and genocide in Missouri.

Three people stand in front of a television screen. They are smiling.
Kassidy Arena
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KBIA
Anika Walke (left), Geoff Ward (center) and Santiago Rozo Sánchez led the Memory for the Future Public Humanities Lab for a year. "We are trying to open up the conversation, and kind of really dealing with the complexity of both the history of these kinds of violence that often rely on racialized categorizations. But also, to think about: How do we deal with the aftermath of this violence? Because it continues to shape our society, both here in the United States, but I think also globally," Walke said to the crowd at the April 26 showcase.

“People often mistake these kinds of efforts as merely symbolic sorts of gestures that don't have substantive significance, you know, that don't involve, say, the redistribution of wealth or the creation of policy that addresses issues like, you know, systematic violence today. But our thinking is that we need this change in the cultural valuation realm," lab co-lead Geoff Ward said about reparative memory work.

A group of three led the ten lab participants in the public humanities lab. Ward is a professor of African and African-American Studies as well as the director of the WashU & Slavery Project.

He was joined by Anika Walke, associate professor of history, women, gender and sexuality studies, Jewish, Islamic and Middle Eastern studies and global studies, as well as Santiago Rozo Sánchez, the postdoctoral fellow with the studio lab who completed his PhD in Hispanic Studies.

"I think one of the fundamental harms that we're haunted by, in terms of histories of slavery and racialized violence of various sorts, is that they've institutionalized disregard for certain kinds of people, and institutionalized disrespect," Ward said. "So how do we need to find ways as contemporaries to reorient ourselves to these collectives in their histories and their interests, and to build common cause?"

The studio lab participants traveled throughout the state and the region to inform their work—which features a project to restore grave markers in Black cemeteries and a podcast and photography series about Black communities who lived through the failed housing project of Pruitt-Igoe.

A woman in glasses smiles at the camera. She is standing in front of photographs of dilapidated buildings and nature reserves.
Kassidy Arena
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KBIA
Joni Gordon, a lab participant originally from Jamaica, poses for a photo in front of her photography gallery entitled "Escape and Erasure." "I decided to focus more on histories related to the Black community. And I realized that it's not a history that people really talk about and really know of. So I want to kind of highlight that. And that is really what my art is," she said.

"One of the focuses of our project is to focus on the positives of Pruitt-Igoe, because a lot of public memory of Pruitt-Igoe focuses on the negatives. How, like, there was a lot of crime, a lot of, as I said, poor maintenance. But a lot of the former residents remember their childhood as really positive there, which I don't think is highlighted in any public academia," Dana Hogan, one of the podcast creators of Pruitt-Igoe: Stories from Within, said.

Two people stand in a small room with blue walls and photos pinned to the walls. There is a chair in the small room along with a table that has a speaker on it.
Kassidy Arena
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KBIA
Nash Overfield (left) and Dana Hogan pose for a photo in their podcast booth at the Memory for the Future showcase on Wednesday, April 26, 2023. They played the podcast on a loop that featured voices of former Pruitt-Igoe residents and their happy childhood memories.

Dozens of members of the public attended the showcase, including John Early. As he walked in, he said he was particularly interested in learning about how racism has embedded itself into society, and how creative explorations can help address that.

"I'm in this processing stage, you know, how my perspective is shifting. Having certain expectations coming in and then encountering some things that maybe I did expect [and] some things I didn't expect, I think both the breadth and depth of the projects, how they engage with different publics...I found really engaging," he said.

Jade Pita is a participant who created a digital map of Mexican American history in St. Louis and the Midwest. It’s called Siempre Hemos Estado Aqui [We have always been here].

“These are topics that apply to the Latin experience and the Mexican experience in the United States as a whole," Pita said. A lot of her work focuses on guest worker programs in Missouri. "That is something that I definitely want to address when it comes to legacies of colonialism ...They are exploitive labor practices that exploit people, exploit land, to make the most amount of profit possible, which is a practice that is rooted in enslavement. And I think it's time that St. Louis talks about that history."

The leaders of the humanities lab hope to continue this reparative work for Missouri communities. And hope the memories the lab highlights can better impact the state in the future.

Ward concluded by saying "The theory is that in collectively remembering these histories and acknowledging their legacies and so forth, we can build greater capacity, collectively, to shape a better future."

Kassidy Arena was the Engagement Producer for KBIA from 2022-2023. In her role, she reported and produced stories highlighting underrepresented communities, focused on community outreach and promoting media literacy. She was born in Berkeley, California, raised in Omaha, Nebraska and graduated with a degree in Journalism at the University of Missouri, Columbia.
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