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What A 14th-Century Italian Novel Teaches Us About Social Distancing

Painter John William Waterhouse depicts a scene from the frame story of Boccaccio's "The Decameron."
Wikimedia Commons
Painter John William Waterhouse depicts a scene from the frame story of Boccaccio's "The Decameron."

When a plague swept 14th-century Florence, killing more than half the city’s population, wealthy Italians turned to social distancing. One small group’s retreat from a stricken city to a deserted villa became the backdrop for the classic novel “The Decameron.”

That novel is just one of the texts Rebecca Messbarger teaches in her Disease, Madness and Death Italian Style course at Washington University. But it has sudden resonance, she says — and relevance she never anticipated when she began teaching it a year ago.

“I never imagined it would be so pertinent to our day-to-day living, and to all of our personal lives,” she told St. Louis on the Air listeners Wednesday. A co-founder of the university’s Medical Humanities program, Messbarger is also a professor of Italian. “This is a complete surprise, and not a great surprise.” 

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The novel’s author, Giovanni Boccaccio, personally experienced the plague that decimated Florence in 1348. In the book, he deals with many topics of relevance to readers today, Messbarger said, including the alienation that comes with distancing and the concept of fortune. 

But it’s not the only book in her course that feels on-point for those grappling with the impact of the coronavirus now terrorizing Europe and grinding the American economy to a halt. She also recommended “The Betrothed,” by Alessandro Manzoni.

Rebecca Messbarger is a professor of Italian at Washington University.
Credit Courtesy of Rebecca Messbarger
Rebecca Messbarger is a professor of Italian at Washington University.

“Frankly, Italian literature — all literature — grapples with these themes,” Messbarger explained. “These are themes that are fundamental to human beings: illness and mental illness and care. They’re all things that every single one of us will have to grapple with in our lifetimes. … They’re ample material, and in the Italian context, it’s very rich.”

Two other texts Messbarger recommends are Daniel Defoe's "A  Journal of the Plague Year" and Geraldine Brooks' "A Year of Wonder."

Social distancing was also at the root of St. Louis health commissioner Dr. Max Starkloff’s approach to the 1918 influenza pandemic. St. Louis had one of the lowest influenza rates of cities of its size. Of the 31,500 who got sick in St. Louis, 1,703 died. Historians have credited Starkloff’s response.

St. Louis on the Air” brings you the stories of St. Louis and the people who live, work and create in our region. The show is hosted by Sarah Fenske and produced by Alex Heuer, Emily Woodbury, Evie Hemphill, Lara Hamdan and Joshua Phelps. The engineer is Aaron Doerr, and production assistance is provided by Charlie McDonald.

Send questions and comments about this story to feedback@stlpublicradio.org.

Copyright 2021 St. Louis Public Radio. To see more, visit St. Louis Public Radio.

Sarah Fenske joined St. Louis Public Radio as host of St. Louis on the Air in July 2019. Before that, she spent twenty years in newspapers, working as a reporter, columnist and editor in Cleveland, Houston, Phoenix, Los Angeles and St. Louis. She won the Livingston Award for Young Journalists for her work in Phoenix exposing corruption at the local housing authority. She also won numerous awards for column writing, including multiple first place wins from the Arizona Press Club, the Association of Women in Journalism (the Clarion Awards) and the National Society of Newspaper Columnists. From 2015 to July 2019, Sarah was editor in chief of St. Louis' alt-weekly, the Riverfront Times. She and her husband, John, are raising their two young daughters and ill-behaved border terrier in Lafayette Square.