Jewly Hight
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Madi Diaz had much to process leading up to her new album, History of a Feeling: moving home to Nashville from L.A., reestablishing herself as a solo artist and splitting from her partner.
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On Torres' Thirstier, Mackenzie Scott contends with pop music's tropes and techniques to wrestle with the high stakes of a long-term relationship: "This is about the love of my life."
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Allisson Russell has spent her career collaborating – but for Outside Child, her first solo record, she is stepping boldly out in front, sharing her tales of healing.
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The intersections of country music and LGBTQIA+ communities can sometimes come across as solitary acts of bravery. But the state of queer country is better measured by its full time residents.
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Lambert, who just put out her seventh album, Wildcard, has closed the gap between serious singer-songwriter and arena-rocking entertainer to become the most riveting country star of her generation.
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There really was no precedent for Maybelle Carter, who learned to play from her own mother and spent much of her life teaching her children — as well as generations of country stars that followed.
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In the '90s, Brooks & Dunn helped to broaden country music's audience with its embrace of a wide range of sounds and on-stage spectacle. 25 years later, their influence is everywhere in Nashville.
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The country legend's new album returns to some of her commercial roots, telling stories of domestic betrayal in grand yet thoroughly grounded fashion.
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Auerbach breaks down working with new artists and seasoned session players through his label imprint, Easy Eye Sound.
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On her bustling third album, the former Carolina Chocolate Drops member maps her vision of the Afro-Caribbean diaspora while gently taking Anglocentricism (and capitalism) down a notch.