
Jeremy D. Goodwin
Jeremy D. Goodwin joined St. Louis Public Radio in spring of 2018 as a reporter covering arts & culture and co-host of the Cut & Paste podcast. He came to us from Boston and the Berkshires of western Massachusetts, where he covered the same beat as a full-time freelancer, contributing to The Boston Globe, WBUR 90.9 FM, The New York Times, NPR and lots of places that you probably haven’t heard of.
He’s also worked in publicity for the theater troupe Shakespeare & Company and Berkshire Museum.For a decade he joined some fellow Phish fans on the board of The Mockingbird Foundation, a charity that has raised over $1.5 million for music education causes and collectively written three books about the band. He’s also written an as-yet-unpublished novel about the physical power of language, haunted open mic nights with his experimental poetry and written and performed a comedic one-man-show that’s essentially a historical lecture about an event that never happened. He makes it a habit to take a major road trip of National Parks every couple of years.
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The newly launched St. Louis Film Project will offer $500,000 in grants to help applicants finish their film or TV projects. It’s a partnership between RAC and Continuity.
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Passengers on a Southwest Airlines flight from St. Louis to Houston took turns craning their necks for a midair view of the total solar eclipse.
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Missouri Attorney General Andrew Bailey is calling for changes to the juvenile justice system that could lead prosecutors to charge more minors as adults.
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The latest round of work by local artists is now installed throughout St. Louis Lambert International Airport. Participating artists say it’s a way to achieve heightened visibility for their work.
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The U.S. Department of Agriculture allocated $40 million in loans and grants to telecommunications companies to build high-speed internet networks in rural parts of Illinois and Missouri.
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Missouri Gov. Mike Parson formally requested federal assistance for people affected by devastating flash floods last week in St. Louis.
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Scholars have a mantra: Shakespeare is universal and his works are for everyone. But for Black actors and audiences, does an implicit whiteness in the Bard's canon hinder access and identification?
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"Wayfinding," an exhibition of public art by Chloë Bass near the Pulitzer Arts Foundation, seeks to provoke private thoughts in public spaces. Visitors are invited to contemplate 32 signs posted near the museum.
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Cherokee Street gallery the Luminary will award $60,000 in grants to 10 St. Louis organizations and artists. The money will fund projects including public art installations in the Vandeventer neighborhood and a YouTube show featuring Black artists in conversation.
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Developer Joe Edwards will sell the Tivoli Theatre to the church that has been renting space there for services and a web consulting firm that aims to attract other businesses for a "web district" in the Delmar Loop.