Kimberly Reed thought campaign finance was too complex for a documentary. But that was before her home state of Montana began fighting back against anonymous money. Allison Coffelt talks with Director Kimberly Reed about the making of a true-life political thriller, on this episode of the True/False podcast.
Directors Kim Hopkins (VOICES OF THE SEA), Erick Stoll and Chase Whiteside (AMERICA) spent significant time with their subjects, close-knit families in Cuba and Mexico, respectively. Listen in on these three as they consider the many things they have in common during their Field Session at True/False 2018.
Over years of editing, both Leilah Weinraub (SHAKEDOWN) and RaMell Ross (HALE COUNTY THIS MORNING, THIS EVENING) found themselves migrating away from conventional cinematic languages. In a conversation during True/False 2018 they discussed how they are both seeking to reshape documentary grammar and expand the way films portray black life.
Fellipe Barbosa built his latest film (GABRIEL AND THE MOUNTAIN) around the remnants of his friend Gabriel's life, from his photographs to excerpts of his diary. Matt Holzman’s podcast, KCRW’s The Document, extracts new audio stories from the footage of documentary films. Fellipe and Matt spoke about sifting fresh work out of raw material during their Field Session at True/False 2018.
Director Laura Bari discusses the intimate, emotional and uncomfortable depictions of her own family in her film PRIMAS. The film is the True Life Fund selection for True/False 2018. Money raised by the Fund will benefit Bari's nieces who are the subjects of the film.
Director Sandi Tan discusses her complicated relationships with a childhood "frenemy" and the middle-aged mentor with whom they made a film in Singapore in 1992. Tan's documentary SHIRKERS explores why that film was never released. It is playing this year at True/False 2018.
Director RaMell Ross discusses reimagining depictions of the American South and the flaws of documentary filmmaking. His film HALE COUNTY THIS MORNING, THIS EVENING follows the lives of two young African-American men in Alabama and is playing this year at True/False 2018.
Director Chico Pereira discusses the role his community and his family played in shaping his film DONKEYOTE, which played at True/False 2017. The films depicts his uncle Manolo's plan to travel from rural Spain to the United States accompanied by his donkey, Gorrión.
Director Peter Nicks discusses the role that the city and people of Oakland play in shaping his work. His most recent documentary, THE FORCE, documents a year of crises in the Oakland Police Department and played at True/False 2017.
In this special preview of the True/False Podcast Season 2, directors Myles Kane and Josh Koury discuss filming legendary journalist Gay Talese and he writes the unforgettable story of Gerald Foos. Their film VOYEUR is out on Netflix now. The True/False Podcast returns in January 2018.
Chris, Christine'a and PJ Rainey talk about their relationship with director Jon Olshefski after he spent a decade documenting some of their family's most intimate moments. The Rainey family are the subjects of the film QUEST (True/False 2017).
Jon Olshefski, a director who spent a decade gathering footage of his subjects, discusses time as an ingredient in documentary filmmaking. His film, QUEST, was the recipient of the 2017 True Life Fund.
Four True/False 2017 directors sit around an indoor fire, eat s'mores and share behind the scenes stories from their films. Stories from Viktor Jakovleski (BRIMSTONE & GLORY), Peter Nicks (THE FORCE), Dan Sickles (DINA) and Sabaah Folayan (WHOSE STREETS?).
The True/False podcast returns next week with our conversation with film critic and programmer Eric Hynes. We'll have new episodes every other week after that. Until then, enjoy this little treat from this year's Buskers Last Stand.
This week on Intersection, we listen to the first episode of the new True/False Podcast presented by KBIA. Host Allison Coffelt talks with directors Keith Fulton and Lou Pepe about their film The Bad Kids and the process of developing character in nonfiction film.